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An Actor Prepares
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An Actor Prepares

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So much mystery and veneration surrounds the writings of the great Russian teacher and director Stanislavski that perhaps the greatest surprise awaiting a first-time reader of An Actor Prepares is how conversational, commonsensical, and even at times funny this legendary book is. After many productions with the Moscow Arts Company, Stanislavski sought a way to introduce his new style of acting to the world outside of his rehearsal hall. The resulting book is a "mock diary" of an actor describing a series of exercises and rehearsals in which he participates. He details his own emotional and intellectual reactions to each effort, and how his superficial tricks and mannerisms begin to disappear as he increasingly gives over his conscious ego to a faith in the creative power of his subconscious. Rarely has any writer on the theater achieved the sort of lucid and inspired analysis of the acting process as Stanislavski does here, and his introduction of such now-standard concepts as "the unbroken line," "the magic if," and the idea of emotional memory has laid the groundwork for much of the great acting of the 20th century. While much excess and nonsense was to follow in the steps of Stanislavski's writings, his original texts remain invaluable, and surprisingly accessible, to any actor or student of drama. --John Longenbaugh

 
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Product Details
Author:Constantin Stanislavski
Paperback:344 pages
Publisher:Theatre Arts Book
Publication Date:April 28, 1989
ISBN:0878309837
Package Length:7.9 inches
Package Width:5.5 inches
Package Height:0.8 inches
Package Weight:0.85 pounds
Average Customer Rating: based on 26 reviews

Customer Reviews
Average Customer Review:4.5
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0 of 1 found the following review helpful:

5Very Informative  Mar 16, 2007
This book is very informative and resourceful. It teaches you the true method of acting.

5any performing artist should read this book...  Mar 06, 2007
the magic 'if' can transform worlds for you...the grand Master Stanislavski in a rough interpretation brings you his mystery of acting..has any acting technique been more misrepresented then 'the method'? ..read how MR S wanted to reach actors, how they went about rehearsing...how they realized their most important job was being true to the playwrights words..much to Anton Chekov's delight..how they built layer upon layer of developing a character..I think this book will enhance any artist, hold magic over them and let them develop their own magic 'if'..what if I was a king? what if I was a world famous dancer? what if I can make any dream come true? what if?

3 of 5 found the following review helpful:

5Definitely The Bible for actors.   Feb 21, 2006
I had to buy this book for an acting class I am currently taking in college. If you were to open my book, you'll notice the bright color of my highlighter. It is highly informative and intellectually stimulating for those who want to be actors, or people who are simply interested in acting.

9 of 11 found the following review helpful:

5Absolutely essential read  Oct 12, 2005
This book is an absolute MUST READ for all actors. I am convinced that no-one should be allowed on stage until they have read this book.

Stanislavski's ideas form the basis of most modern acting techniques, as well they should. Before I studied Stanislavski, I had always felt there was something lacking in my acting and could never quite figure out what; I discovered it when I studied Stanislavski.

My one complaint is that the translation is bad. The translator was NOT an actor, and many cuts were made to the original text. This has resulted in many confusions about what Stanislavski actually said.

12 of 17 found the following review helpful:

5Excellent not only for actors but for any performing artist!  Dec 04, 2004


Stanislavski himself says, "My system is for those who have a creative nature. It's for the talented". On stage or on a movie set you have to be believable. All musicians should read this book (or any performing artist in that matter). It would be a priceless benefit for them... For instance, many soloists these days are displaying an unnatural, forced "phrasing". If they were asked to speak the way they play, the result would be so fake or even funny that they'd realize it in a flash.


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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