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| | Home Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom | |
|  | |  | | | Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom | | | | | SKU:
| | In Stock | | Availability:
Usually ships in 1-2 business days | | Only 1 left in stock, order soon! | | | | | | The Sony HVR-Z1U professional camcorder shoots brilliant high definition 1080i pictures with jaw-dropping detail, color and clarity, and comes equipped with a Carl Zeiss Vario-Sonnar® T 12x zoom lens - the same glass and coatings as in Zeiss prime lenses. | | | |
List Price:
| $5,999.99 | |
Our Price:
| $5,799.95 | |
You Save:
| $200.04 ( 3%)
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| | Product Details | | Product Width: | 5.9 inches | | Product Height: | 7.1 inches | | Product Weight: | 4.41 pounds | | Package Length: | 17.5 inches | | Package Width: | 14.4 inches | | Package Height: | 10.0 inches | | Package Weight: | 10.6 pounds | | Average Customer Rating: |  based on 6 reviews |
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| | Features | High-definition video camera records in 1080i, 720p, and 720i specification with analog down-converting16:9 widescreen recording; 4:3 conversion capableCarl Zeiss Vario-Sonnar T* 12x optical zoom Lens; optical Super SteadyShot System dampens hand jitter and vibration3CCD camera system; records to conventional DV tape stockPowered by NP-F570 InfoLithium rechargeable battery pack
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| | Customer Reviews | Average Customer Review:
Write an online review and share your thoughts with other customers.
2 of 2 found the following review helpful:
 Amazing HD event and wedding camera! Apr 26, 2010
I have filmed and edited with this camera for 3 years and it is still the top of the line and current professional standard for HDV cameras. Its professional XLR sound capabilities set it apart from all the other camera in its price range.
The versatile aspect ratios and shooting abilities in any condition make this camera a must have for any professional and amateur indie filmmaker.
Very durable and strong construction with lots of manual control buttons quickly accessible to the cameraman. The menu is easy and intuitive.
Great for weddings and events of any kind! I cant tell you how many times over this camera has paid for itself and given me the competitive edge in a highly technical and fast paced job.
7 of 17 found the following review helpful:
 Misleading Item Photo Apr 05, 2009
I bought this item for $3115 based on the picture as it is on this review page. When I received the item, it was supplied without the shotgun microphone. When I called the seller, I was informed that the item is sold without the shotgun microphone. I insisted that it was a wrong item advertised. The blame was passed on to Amazon.com who put up the picture as it appeared. You are therefore misleading prospective buyers by putting up wrong pictures on your website. Otherwise I was not going to buy the item at the price I paid if it wasn't the way it was. I am disappointed.
Sam Okwoyo
8 of 8 found the following review helpful:
HDV Work Horse Aug 06, 2007
I've used my Sony HVR-Z1U HDV camcorder in some very extreme conditions, and it it comes through on a regular basis. I shot Hurricane Katrina video footage during the storm (for StormStock) in driving 100 mph rain. At that time, I had purchased and was using a rain coat for the camera. It never failed. Previously, in Hurricane Dennis, the unit failed in the rain, without the coat. The screen went black. I dried it off with a hand dryer and it came back to life to be called back into action with Katrina.
My HVR-Z1U has shot hurricane video, tornadoes, lightning, and other storm footage, often in the rain and dust. And, it keeps on going.
The unit prefers mid-range lighting. It can shoot good footage if you give it that.
Sony can improve this unit by adding SDI to output to HDCAM. I'd also like to see true 24P added and maybe variable frame rates.
This camera is just a couple options away from being a professional system.
Martin Lisius
Prairie Pictures, Inc.
13 of 15 found the following review helpful:
Recommendation by New Filmmaker Aug 07, 2006
I've chosen this camera for my short film after viewing some rough footage at a local studio. The colors that this camera can capture in DV mode are jaw-dropping! It comes with all of the manual controls you could hope for and they're very intuitive. I highly recommend this to independent filmmakers if you're able to rent them in your area. It does not offer the 'truest' cinematic feel but if you do some research on the web you'll find resources for things you can do in pre & post production to get the feel you're looking for regardless of the camera you use.
For more filmmaking resources & sample footage of the z1, visit my website and click 'resources'.
And for more updates on using this camera for my short film, visit my website and click 'films'.
118 of 126 found the following review helpful:
 Half HD - too good to be true Oct 17, 2005
The HVR-Z1U seems too good to be true. And it is.
It promises a camera with full HD resolution and outstanding features for a reasonable price. In many ways, it delivers. The video quality is superior to the JVC HDV camera. Unlike the JVC, the camera offers full manual control and is a pleasure to shoot with professionally.
Alas - for someone who expects and needs full HD resolution, the Sony is a disappointment. Pointing the camera at a resolution chart while viewing the output on a high resolution monitor (or on a computer after rendering to 1080i or 1080p) quickly reveals that the horizontal resolution is about 1200 lines, and vertical resolution is a little over 500.
The pixel count is thus about twice that of standard video, not four times, as we perhaps hoped. The 1200 lines of horizontal resolution is pretty good - just about the same as 720p. But the vertical resolution is not very good at all.
A little math tells the story. Sony advertizes 1.1M pixels for each sensor, and 1440 lines horizontal. 1.1M/1440 gives a maximum of 770 lines vertical, not 1080 as promised. The measured vertical and horizontal resolution is distinctly lower.
An extensive web search revealed that the sensor has 1080 vertical lines, but only about 990 lines horizontal. To achive something closer to 1440 lines horizontal the green sensor is offset by half a pixel, and image processing is used to give a possible maximum resolution of 1440 on a black and white image. The problem is that the edge contrast beyond 900 lines horizontal becomes quite poor.
To make matters worse, (or to degrade the vertical resolution to match the horizontal) the vertical lines are read out of the sensor in pairs, so that each field is a mixture of two adjacent lines. This gives the vertical the same poor edge contrast as the horizontal.
It is possible by using the unsharp mask tool in Sony Vegas (or other editors) to improve the edge contrast. I use the maximum effect with the minimum radius in the Sony tool - setting the radius slider to .001 pixels. You must do the sharpening operation using a properties setting of 1440x1080. Slightly better results can be obtained by putting an additional unsharp mask in series with the first, set to half-effect.
A major problem is deinterlace. Most editors (and most display devices) deinterlace by averaging fields, which reduces the maximum vertical resolution to 540 lines. You can add Mike Crash's excellent deinterlacer to the sharpening masks, and remove this limitation. Crash's smart deinterlace for Vegas can be downloaded for free - with patience and persistence.
Sharpening and deinterlacing the image is very compute intensive. It takes me a good fraction of a week to do a two hour movie on a 3GHz pentium 4. But the result can be stunning. With the sharpening the Sony camera can give you a result that is close to a professional HD camera. I render to WMV9 rather than to MPEG2 - remember to keep the properties at 1440x1080. After the render is complete, you can re-render to 720p, adding an additional bit of sharpening to compensate for the re-interpolation.
For best results always use a shutter speed of 60 frames/sec or higher. I have had mixed results with the steady shot option. Keep the camera as steady as possible, and try not to use more video gain than absolutely necessary.
Bottom line - this camera produces video that is MUCH better than standard video, and significantly better than DV. But it would be awfully nice to have a camera that delivered the advertized resolution, and did it with a flat video frequency response.
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